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U.S. Marine Richard “Mac” McKinney had planned to return home to Muncie, Indiana as a hero – in an American flag-draped coffin. But that didn’t happen. Instead, after 25 years of service, he returns alive and filled with an all-consuming rage. Still fueled by his desire to die for his country, he plans to bomb the local mosque. But when he comes face to face with the community of Afghan refugees and others of Muslim faith that he seeks to kill, his plan takes an unexpected turn.
越南青年阮国非为早日还债,沦为“逃跑移工”,他勤奋工作期待还乡,不料2017年在河边被举报窃车,遭警察连开九枪不治身亡。舆论支持警方执法,却留下一连串谜团,为何警察要对赤裸的移工连开九枪?是什么迫使他成为逃跑移工?拘捕画面、家属访谈、相关报导交错,深藏其中的共犯结构逐渐浮现。苍凉景色搭配取自阮国非脸书文字的旁白,宛如回返幽灵诉说忧伤的短暂人生aaa
“推理女王”在作品中抽丝剥茧,而自身却是谜团重重:三集纪录片《阿加莎·克里斯蒂:解密悬疑女王》从阿加莎的作品入手,深入探索这位作家隐秘的热爱、恐惧、信仰、以及她生活的动荡时代。在历史学家露西·沃斯利(LucyWorsley)看来,著名侦探小说家阿加莎·克里斯蒂(AgathaChristie)用精心打造的公众形象隐藏了“真实的自己”。阿加莎的生活和作品反映了20世纪的社会剧变,作为公众人物声名远扬,而她的真实性格却令人难以捉摸。露西·沃斯利深挖这位侦探小说家的相关资料与作品,试图找到更多的线索,解开阿加莎·克里斯蒂自身的谜团ddd
In2015,SpanishenvironmentalistspostedavideoshowingadolphintrainermistreatinganimalsatthedolphinariuminMallorca.Itpromptedaninternationalscandal,becausethetrainerinquestionwasJoséLuisBarbero,whohadjustbeenappointedasvicepresidentattheprestigiousGeorgiaAquariuminAtlantaintheUS.Barberohadareputationasavisionarytrainerwho,overthedecades,radicallychangedtheworldofdolphinshows.Thisisamanwhodemandseverythingofhimself,hisstaffandhisanimals.Wasthevideoanindictmentoftheentiresystemoradeliberateattempttodestroythereputationofonepersoneee
TwoworldscollideinTheLastDolphinKing.Ononesidestandsthelucrativeentertainmentindustry,whichtreatsintelligentanimalsasvaluablecommodities.Ontheotheraretheanimalrightsactivistswholaunchanall-outattackonthemanandthesectorherepresents.WhenBarberoisreportedmissing,wediscoverthathispastisascomplexashispersonality.Eyewitnessesdescribeamanwhowasincreasinglytrappedinanindustrywithoutafuture.
Afteryearsinthelimelight,SelenaGomezachievesunimaginablestardom.Butjustasshereachesanewpeak,anunexpectedturnpullsherintodarkness.Thisuniquelyrawandintimatedocumentaryspanshersix-yearjourneyintoanewlight.
