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亚历克斯,一个来自马赛的黑人老板的儿子,加入了军团,以逃避与科西嘉黑手党的宿怨……4年后,亚历克斯离开并返回马赛,寻找他的青梅竹马。但在镇上,权力的平衡发生了变化:他的父亲已经退休,离开科西嘉人和北区的帮派来分享城市的控制权。
亚历克斯的决心将打破这种脆弱的平衡,冒着让他的家人处于危险之中的风险......
这部电影发生在图卢兹,讲述了55岁的警察让发现他的儿子马克西姆和他儿子的男朋友被绞死在酒店房间里的故事。尸检显示他死于过量的GHB,就在他的男朋友之后七分钟。在马克西姆的朋友组织的一个晚上,让发现了他儿子过去常去的俱乐部BISOU。在那里,他遇到了法比恩。为了进一步了解所发生的事情,Jean多次去了俱乐部,很快就受到了Bisouers的欢迎。法比恩对他产生了依恋,让开始将他的哀悼与探索儿子世界的愿望混为一谈ccc
花花公子阿兰(莫里斯·荣内特 Maurice Ronet 饰)在疗养院中进行了六个月的戒酒治疗。疗养即将结束,但他并不能肯定自己是否痊愈。他通过看书、抽烟、写日记、把玩手枪、剪贴报纸上关于死亡的报道来平复内心的恐惧与忧伤。他和美国的妻子分居,同时又与妻子的朋友莉迪亚(莱娜·斯克尔拉 Léna Skerla 饰)纠缠在一起。莉迪亚要求阿兰与妻子摊牌,与她生活在一起,但阿兰拒绝了。回到疗养院,阿兰在医生的鼓励下决定试着重新融入社会,接触自己的朋友们。在巴黎,他开始拜访昔日的朋友,却发现今时的人们全都背叛了从前的社会观、政治观,变得矫揉造作,没有人能够理解他,甚至对他进行明嘲暗讽。阿兰心中刚刚燃起的积极信念彻底地被摧毁了,他无法掩饰对这个世界的厌恶,再次陷入绝望之中。阿兰最后一次把自己灌醉,醒来之后,收拾完房间和行李,接了一个电话,读完一本费兹罗杰的小说,他拿出手枪朝着自己的心脏开了一枪。
本片获第28届威尼斯电影节评审团特别奖。
The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate.
The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film.
The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches".
Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.
