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莱利原本是伊利诺伊州的一个快活青年，和女友伊莎贝尔已经谈婚论嫁，身边还有从小一起长大的好友苏菲、鲍勃和格雷。苏菲和鲍勃也准备结婚，而格雷却爱着伊莎贝尔。
战争到来，莱利和其他小伙子一样也参了军，虽然只是到野战医院开车，但目睹了战争的惨烈后，莱利的思想发生了变化。返回家乡后，他一再推迟了和伊莎贝尔的婚事，而理由竟是要花时间思考人生的意义。在伊莎贝尔舅舅埃利奥特的安排下，莱利被安排到巴黎去散心。6个月之后，伊莎贝尔到巴黎寻找自己的未婚夫，却发现莱利住在一个糟糕的地方，虽然心情不错，但她知道他不再可能回到美国做股票经纪人，过富足的生活了。早已习惯了富裕生活的伊莎贝尔摘下了莱利给她的订婚戒指，返回美国后嫁给了一直追求她的格雷。
莱利在巴黎靠干出卖体力的工作为生，他阅读大量的书籍，并因偶然的激励，决定前往印度寻找生命的真理。在印度和尼泊尔的路途中，他的精神得到了进一步的提升。返回巴黎后，他先后遇到了因美国经济萧条而到巴黎避难的伊莎贝尔和格雷夫妇，以及因车祸痛失丈夫和儿子、以卖笑为生的苏菲。
苏菲和莱利的亲近导致了伊莎贝尔的嫉妒，她刺激苏菲再次回想起丈夫和儿子，酗酒之后，苏菲被人用剃刀割断了喉咙……
舅舅埃利奥特生命垂危，莱利用一个善意的谎言让他幸福地睡去。离开舅舅的大房子，他决定返回美国老家。
正义的反法西斯联军和纳粹法西斯德军在撒哈拉沙漠为了一口干枯的水井作战。想想：两只军队为了一口干枯的水井兵戈相见、殊死搏斗。
为什么呢？联军知道水井里面没有水，但是不能放弃那道防线。不然，德军会越过防线威胁到更多的联军。可是，联军经过轮战斗后只剩下了9个人，并且弹药缺乏，只是以一所沙漠中破旧的古迹清真寺做掩护。再看看德军，他们有精良的装备、充分的弹药，人数上占绝对优势，900人左右。虽然，他们缺乏水。但是，这个巨大的悬殊，1：100的战斗对抗！不禁让人胆颤。经过激烈的战斗，联军胜利了！只剩下了两个人。
本片根据英国作家肯·福莱特最畅销的小说《针眼》改编。目前该小说已被译成三十多种文字，销售量达一千万册以上。并入选“美国推理作家协会”评选的一百部最佳推理小说。《针眼》讲述的是二战诺曼底登陆前，德国代号“针”的间谍发现了盟军准备攻打诺曼底的计划后，逃亡中发生的故事。本片 情节非常的紧凑，心狠手辣、冷酷无情的间谍在爱情面前表现出的温情的确令人动容。该片曾被著名的《时代》周刊、《纽约时报书评》一再褒扬，并成为该年度最受观众欢迎的影片之一。
1979年春天，我对越自卫反击战开始了。汽车运输排长郑冰到某地方医院向他的未婚妻--医生赵丽丽告别。他们在对祖国的安危和个人幸福的看法上产生了分歧，由此他们的爱情也出现了裂痕。郑冰带着苦恼奔赴前线。在去前线的途中，他和赵丽丽的妹妹--卫生兵赵真真相遇。郑冰和战友们来到战地救护所，执行运送伤员的任务，救护所决定每辆车派两名护士随车照料伤员，没料到派来的卫生兵就是他在火车上遇到的赵真真和那批调皮的女战友。随着战争的进展，这群年轻的朋友在前线谱写了一曲壮丽的青春之歌。天真、活泼、酷爱音乐的女护士刘小佳，在一次敌人炮击我救护所的战斗中，为了抢救伤员，冒着敌人的炮火只身涉水过河，不幸中弹牺牲。黄河边长大的农村战士何建武，在我车队遭到越特工队伏击，油罐车中弹起火面临爆炸的危急关头，冒险开走了油罐车，为保全车队和战友们的安全献出了自己的生命。年轻的朋友，可爱的战友...
Set in an unspecified French village, the locals are shocked when a group of girls skinny dipping in the nearby lake (all very tastefully done I hasten to add) are killed by a group of zombiefied Nazi soldiers, that spring up out of the waters and drag them down to their demise.
A couple of detectives are brought in to try and solve the mysterious murders, only to end up as the zombies next victims. It turns out that during the war, the French resistance ambushed and killed a squad of German soldiers and dumped the bodies into the nearby lake, but failed to take notice of any of the local superstitions (never a wise move). Although, seeing as this film appears to be set in the early 80's, why it's taken so long for them to emerge and start killing people is a bit of a mystery, but there you go.
Not-with-standing, the villagers quickly organise a lynch mob to take down the zombie menace, only to end up being decimated by the undead soldiers, who's 'convincing' zombie make-up basically consists of green paint, which doesn't even cover the whole of the actors faces and keeps washing off in the lake.
There's also a bizarre sub plot about one of the zombies visiting his former daughter, who strangely still looks all of 12 despite the fact she should be in her 40's if she was born near the end of the war, but then since when did logic ever come into these films? Such as why do their uniforms still look almost new despite being underwater for 40 years, or how come the skinny dipping girls are only knee deep in the water when viewed from the lakeside, yet appear to be swimming in 12 feet of it from the underwater shots?
Bad acting, naff zombie make-up (the aforementioned green face paint), painfully obvious underwater shots filmed in a swimming pool, not to mention the plot inconsistencies bigger than the aforementioned lake itself. Low budget doesn't even begin to describe this film, which quite unbelievably was directed by respected Eurohorror director Jean Rollin, albeit under the pseudo name J A Laser.
That's not to say the film isn't without merit. I bust a gut laughing at the thoroughly ridiculous scenes of the zombies attacking the naked young girls, and the equally ridiculous slapstick battle with the angry villagers. Utterly hilarious, grab the six pack and the popcorn and have a blast!
http://www.angelfire.com/darkside/realmofhorror/zombielake.htm
1982 奥斯卡最佳外国语影片： 匈牙利导演萨博
本片以德国现代戏剧史上最伟大的演员格斯特夫.古鲁丹斯真实的一生为依据电影《摩菲斯特》描述了一个在二战中与德国人委曲求全合作的演员，最后仍被德国人抛弃的故事。片名“摩菲斯特”本意就指的那些与魔鬼合作的人。主人公在心理上自始至终处于卑微懦弱的地位，虽然德国人也给了他很多的荣耀，但这仍无发改变其事实上和心理上的犹太人身份，但这一切并未得到深刻的体现。终于，在影片结尾处得到了一切都爆发出来，这也是本片的高潮。
故事发生在风景如画的弗朗德勒，蒂斯特曼（塞缪尔·鲍伊丁 Samuel Boidin 饰）在此地经营着一间农场，过着形单影只的孤单生活。闲暇时，蒂斯特曼会找到名叫芭比（阿德莱德·勒胡 Adélaïde Leroux 饰）的女子，两人来一场激情四射的约会。芭比是当地有名的妓女，亦是男人们心目中的大众情人，然而，蒂斯特曼是发自内心的爱着芭比，只是他选择将这份感情深深埋藏在心底。
战争爆发了，蒂斯特曼和许多同他一样的年轻人们一起走上了前线，那里发生的每一件事情都在刷新着蒂斯特曼三观的下线，随着时间的推移，蒂斯特曼渐渐迷失在了杀戮之中，泯灭了人性。那一边，芭比因为一场意外而被送入了精神病院，当她和蒂斯特曼再度相遇之时，他们都已经成为了和过去完全截然不同的人。
并木浩二（市川海老藏 饰）是一名天赋异禀的棒球运动员，曾经夺得过甲子园优胜投手的无上荣耀。然而，密集的训练令他的肩部受伤，无奈之下浩二只能告别了球场。太平洋战争爆发了，浩二和朋友们一同告别了亲人，奔赴前线，做好了为国捐躯的准备。
战争一日一日的持续着，唯一无法改变的，是日本渐渐形成的败局。然而日本海军却不愿意就此认输，而是发明出了名为“回天”的载人鱼雷，这种鱼雷需要牺牲驾驶员的性命来换取精准的定位和强大的破坏性，满腔热血的并木保命参加了这一自杀行动。终于，执行任务的那天到来了，并木和战友们一同踏上了有去无回的旅途。
In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set.
In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.
In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?
