影片库

<>在《大鸟和小鸟》中，独特的、童话般的寓言不过是帕索里尼用来思考置身于无产阶级和天主教会之间的小资产阶级地位的手段。但这一思考是很不正统和幽默的。一个老人(托托)和他的儿子在公路上行走，从“思想王国&;里来的一个会说话的乌鸦加入他俩的行列。这只乌鸦想向他们解释他们生活中的各种矛盾，并给他们讲了关于神圣的弗朗西斯、他的两个学生、麻雀和鹰的寓言。显然，那只传授理论的乌鸦是指意大利共党领袖陶里亚蒂。而神圣的弗朗西斯说的一段话则是教皇(保罗六世)在联合国大会上为积极服务于社会的基督教所作的宣传。最后乌鸦为自己而哭泣，并把自己奉献给这两个流浪者进食。这两个人也真把它吃了。按帕索里尼的说法，他的影片是为了探讨“抵抗运动期间和五十年代马克思主义的危机&;。影片并没有引申出抽象的“信息&;(除了马克思主义承认新现实外)；相反却表现了不同观点的辩证关系。这些观点互相中和，而且没有一个观点能对两个小资产阶级的或者流氓无产者的主人公产生持续的影响eee

<>特里普是一名制造精灵，在圣诞老人的工厂工作，他更喜欢制造奇怪和危险的武器，而不是玩具。命运让他遇到了伊利亚，一个来自意大利山区村庄的害羞而古怪的孩子。起初两人意见不合，为了从一个无情的商人手中拯救圣诞节，两人必须学会搁置分歧，因为他想破坏所有人最喜欢的节日ddd

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老友米克和弗雷德结伴前往阿尔卑斯的度假旅馆，他们以爱和幽默的视角，探讨子女们满是麻烦的生ddd。米克是导演，正在积极创作自己看来最重要的一部电影，而早就没有了事业追求的指挥家、作曲家弗雷德却收到女王伊丽莎白二世的邀请为菲利普的生日演奏。

翻拍自同名原作。

　　Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to &quot;hitch a lift&quot; back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of &quot;normal&quot; renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　If you miss it you will have to repent!

一个是才华洋溢的逗比女建筑师，一个是魅力四射的餐厅暖男老板。她喜欢男人，而他也是，女的近来人生坎坷 命途多舛，男的离婚出柜 不敢把真相告诉孩子，女的狗血的喜欢上男的 男的说我们是BFF...