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生活在伊朗，荒谬是正常。为儿子改名大卫不获批，因名字太西化；更新驾驶执照被拒，只怪肢体有纹身；汽车遭没收，因为驾车没戴头巾；去应征工人，被要求当场示范拜祭礼仪……两位伊朗80后导演联手执导，以简洁而见巧思的叙事设计，摆定镜头让九名男女大演黑色幽默独脚戏；由小学女生、求职中年汉以至失狗老妪，每天不得不面对政府机关、学校、企业卡夫卡式的荒腔走板。政教威权样样禁制，道德枷锁层层施压，最后土崩瓦解的，可会是整个波斯文化根基ddd
TheplotintroducesustocompulsivegamblerSergio,who,despitehavingpromisedhispartnerthathehasovercomehisaccursedaddiction,receivesatip-offaboutariggedfootballmatch.Fullyintendingtogetbackallofthemoneyhehaslostrecently,hereturnstohisregularbettingshop,intentonwinning.Everythingseemstobegoingswimmingly,whensuddenlyAlejo,anotherhabitualgambler,burstsintothejointwithaweaponeee
故事发生在约旦。丈夫突然去世后，30岁的纳瓦尔（Nawal）不得不为她的那份遗产而奋斗，来挽救她的女儿和她的家，而在这个社会中，有一个儿子才能顺利继承遗产bbb
钦奈市生活在对变态杀手的恐惧之中。在阿琼和安德鲁加入之前，人们对警察的信心逐渐减弱。有着黑暗过去的阿琼揭开了凶手的真相。他们逮捕了他，但他逃脱了，混乱随之而来。当阿琼失去安德鲁和他的爱人时，他陷入黑暗，然后开始消灭凶手。—Donmax77bbb
ThestoryopensinBalochistan,inasmall,scarcely‘wired’villageborderingIranandAfghanistan.Ahmadisanidealisticteacherinexile,educatingthelocalcommunity;hispartnerHaseeba,however,hasspenttimeinjailinTehranfortheverysameoffenceagainsttheState.Thedisaccordbetweenthemisnotonlysocialbutalsopersonal.Ahmad'sdestinycollideswiththatofafamilyfleeingtheTaliban;soontheintricatedivisionsofageandgenderwithinthatgroupwilltriggerotherproblemsandentanglements–includinga'loversontherun'intriguethatfleetinglyrecallsMurnau'sclassicTabu(1931)ccc
Acrossallthearresting,shiftingperipeteiaofitsplot,AbbasAmini'sfilmdeftlydramatisesthecomplicatedquestionofcommitment:dowecommitourselvestoapoliticalcause,asetofreligiousbeliefs,oraperson?Andhowdowenegotiatethecommitmentsofothers,eventhoseclosesttous,whentheyarebasedonaverydifferentvaluesystem?
Withitssparsemusicscore,denselynaturalisticactingandunostentatiouscamerawork,EndlessBordersisalmostaminimalisticsuspensethriller(withHitchcockianovertones),combinedwithaheatedfamilymelodrama–butitneverlosessightoftheseriousandextremelytimelyissuesthatitraises.
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影片改编自诺贝尔文学奖得主、波兰著名作家符瓦迪斯瓦夫·莱蒙特的同名小说，讲述农家女孩贾格娜尽管深爱着儿子安特克，但还是被迫嫁给了年长的富农博瑞纳，后来贾格娜成为村民羡慕嫉妒恨的对象，不得不为维护自己的独立而奋斗。故事发生在19世纪和20世纪的波兰乡村，故事的戏剧性转折与季节的变化、田间的辛勤劳作和当地的传统节日相联系。多洛塔·科别拉执导，灵感来自19世纪流行的现实主义和前印象派绘画，将采用超过60位画家的手绘技术，完成电影的79000帧画面bbb
14-year-oldJimmy(playedbyTyrellWilliams)practiceskungfu.Fortheliondance,whichisperformedoutonthestreets,heisdeterminedtoholdtheheadofthelion.Butwhenhisteacher,thesifu,announcesthenewcrew,hisdreamcomescrashingdown.Hehastomakedowiththetailend,whilethetalentednewcomerLiJié(HayeLee)isgiventhecovetedplace.Jimmydoesallhecantobecomenumberoneandearnhisplaceupfrontwiththehead.Butthismeanshehastodefeatanumberofannoyingbullies,convincethesifuofhisqualitiesand,especially,overcomehimselfaaa
Williams,aformerDutchkaratechampionandLee,akungfupractitioner,jumpandkickintheirfirstfeaturefilm.Kungfuleeuwisanexcitingfilmforyoungpeopleaboutthechallengesofgrowingup–whichareeasiertofacewhenyou’rearmedwiththewisdomofthemartialarts.FilmmakerFroukjeTanusesRotterdamasthebackdropfortheliondance,highlightingthelessobvioustraditionsofthecity.
Previously,FroukjeTanmadethefeaturefilmsSwchwrm(2012)andLinks(2008),andtheshortHetjongetjedatniemandverstond(2002).
It’ssummerandagroupofyoungwomenheadoffforaweektoahouseinthecountryinordertorehearseaplay.Inthepeaceandquietoftheirnaturalsurroundings,whichprovidearefugefromtheintenseheatofthesun,thewomengothroughthetextanddressupintheirruchedperiodcostumes,whileineasyconversationtheysharetheirsecrets,andalsohavelittleadventures.ThisenchantingdebutbyItsasoArana,whoco-wroteandstarredinAugustVirgin(OfficialSelection–Competition,KVIFF2019),providesanopportunitytostopforamoment,tobreatheinthewarmairandsettlebackintheopenembraceofthiscompanyofwomen.Afterall,whatkindofsummerwoulditbewithoutgirls,acampfire,songsandatouchofmagicccc
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《尸袋》的故事背景设定在卡萨布兰卡的工薪阶层社区。父亲哈桑和儿子以萨姆生活窘迫，不得不通过为当地的黑帮完成小型非法交易维持生计ddd
有一天晚上，父子俩接到了一项绑架的任务。两人在绑到目标人物后，将他扔到后备箱，不想他竟窒息而死。两人的任务随即变成了在天亮之前设法处理尸体，而这并不是件简单的事。一个漫长而危险的夜晚开始了，他们穿越城市的贫民窟，试图找到妥善处理尸体的方法。为了自己的生存和自由，他们需穿越重重阻碍。
