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Annaisa35-year-oldsinglemotherandaparamedic.Onemorning,asAnnaisonthewaytodropherdaughterKatiaatschool,Katiaishitbyacar.Whileherdaughterisinacoma,Annaisinformedthatthedriverwas18-year-oldMarina,thedaughterofarichfamily.Marina’smotherisrunningformayorandiswillingtopaywhatevertosweepthesituationundertherug.Thedealbetweenthetwopartsissigned,yetissoonsetoffthetablewhentheyounggirlsuddenlydiesddd
Annaturnshergriefintoasearchforjustice,afightagainstcourts,police,andthehospitalsheworksfor.WhenMarinaisfoundnotguilty,Annarealizesthatit’snotjusttherestoftheworldthathasletherdown,butherownfamilyaswell.Nowherquestforjusticegraduallybecomesaquestforrevenge…
受产前抑郁困扰的法莎娜从雾雨车窗外望,瞥见丈夫贾拉身影进入高级公寓,怀疑他有外遇,贾拉却言之凿凿当天不在德黑兰。查探之下,竟发现另一对夫妇,相貌与他们雷同,俨如是彼此分身。对镜互照,看出自己的不足,也看出伴侣的缺陷,单纯的偶遇演变成纠结四角关系。掩映在暗黑光影下是希区柯克式悬疑惊栗,渗透于滂沱大雨中却是曼尼·夏希希对伊朗式婚姻、道德以至人性矛盾的深沉体悟;在神权政体下,人必须自我分裂甚至自我毁灭,方能让“我”活下去bbb
Afterhissonwitnessesabrutalmurderbyanotoriouscrimeboss,adeafIndonesiangangsteristhrustintothefightofhislifewhenhetakesonhisdangerousformerallies,includingasociopathassassin,inordertoprotecthischildddd
Whenthefilmbegins,itisallover.“Weknowit’sterminal,andthat’sall”,saysJulianeofhermotherKerstin,whoisingreatpainandabouttodieagedjust64.Althoughtheyoungdoctorsheconsultsacknowledgesonapersonallevelthateveryonehastherighttomanagetheirowndeath,henonethelessremindsherthateuthanasiaisstillillegalinGermany.ThisisevenmorethecaseattheCatholichospicewhereKerstinisstaying.Asrelativescometosaygoodbyetohermotherandtheemotionsofmemoriesminglewiththeanticipationofgrief,Julianefindsherselfhavingtodobattlewithtime–unbending,apatheticandmonochrome–andthisissuperblyreflectedintheconvulsionsofthehandheldcamerainwideshotsccc
Basedonpersonalexperience,JessicaKrummacher’ssecondfeaturefilmvividlyrelatesthepainfulstoryoflosingaparent.Thereisnoviolenceormorbidity,ratherthedirectordescribesthemostimportantofeventsviathesmallest,mostfragileofdetails–theexchangingofwords,textsandtendergesturesthatremainwithusandgetunderourskin.
"TheOne"tellstheincredibleandtruestoryofayoungwomanwhosurvivedafallfrommorethan5km.Woundedandhurt,shehadtostruggleseveraldaysinthewildernessbeforebeingrescuedddd
故事的两位男性主人公各自承受着不公以及心灵的煎熬,一位含冤入狱,另一位长期遭受着身体疾病的困扰。萦绕在他们头上的,是无法驱散的现实的阴影。最终他们不得不以一场决斗来终结过去的那段困扰他们多年的历史。潮起潮落,海水终会将一切过往洗净aaa
阿基姆和盖基姆是一对三十多岁的同卵双胞胎,他们有着兄弟般的爱。他们是听障人士,但这不会妨碍他们在地拉那城市的日常生活。有一天,他们收到的消息改变了一切:他们患有一种罕见的遗传病,还会失明。在一起,加上盖基姆的女友安娜在他们身边,他们面临着与世界不断变化的关系。在一杯咖啡的周围,两兄弟不得不重新定义他们的联系,因为他们试图适应他们的新生活bbb
柏林电影节全景单元
Student Fereshteh has to hide her illegitimate baby for one night from her parents who turn up for a surprise visit. Her friend Atefeh helps her. They embark on an odyssey through Tehran during which they must carefully weigh up who their allies are.
AbusnamedAnbunarratesthestoriesofits24passengers,givingaglimpseoftheirjourneyfromKodaikanaltoDindigulddd
Asta is a journalist in Ålesund who seems plunged in a melancholic state, for a reason we discover bit by bit. Her supportive girlfriend refurbishes design chairs and plays the keyboard, while their kitten wanders around the house. One day, Asta reads a story in a newspaper about an asylum-seeker who is being forcefully evicted from Norway after having lived and worked a decade in the country. Gradually, Asta becomes more involved in learning about the case, and she has to find her position - both in her work and in her personal life.
This beautifully-crafted film, bathed in soft colours, is a meticulous observation of Asta's life after an unnamed trauma, and as external events invite her to reconsider her own relationship to reality. One newspaper article she reads is entitled, "Confronting our social conscience", which is one of the topics of A Human Position. It's also a low-key love story, with its routines and ups-and-downs, which feels very real.
WhenRamonameetsthecharismaticBrunoononeofherstrollsthroughthecity,itneveroccurstoherthatshemightencounterhimagainthefollowingday.Willaninnocentflirtationgetinthewayofhercareerdreamsandtheperfectlygoodrelationshipshehaswithherboyfriend?Arefreshingromanticcomedythatsetsthescenefortheimmortalfeudbetweensenseandsensibilityddd
PettycriminalNaaiSekarkidnapsdogsbelongingtotherichinordertocollectaransom,butmakesacriticalmistakewhenheabductsthedogofaruthlessgangsterddd
一位身无分文的母亲带着她的婴儿,踏上了漫长的旅程,去马尼拉寻找她的丈夫。但这次旅行不会是免费的,她必须出卖她的身体才能到达目的地aaa
新手妈妈阿玛雅还没有适应母亲这个角色。丈夫离家几周,孤立无援的她决定回到巴斯克海滨小镇父母的家里向他们求助。然而就算有父母的帮忙,育儿也绝非易事,矛盾和争吵接踵而来。尽管阿玛雅现在已经是一个母亲了,但她内心里,依旧还是一个女儿。
入围塔林电影节影评人之选竞赛ccc
Masterfullyorchestrated–withonlyasmallbudget,thesettingbasicallyconsistingofatable,twochairs,twopersonstalking,onemysteriousmanuscriptandsomelittlefoodin-between–thistwo-mendramaremindsmeofRobertBresson’sfamouswordsaboutfilmmaking:“Twotypesoffilms:thosethatemploytheresourcesofthetheatre(actors,direction,etc.)andusethecamerainordertoreproduce,andthosethatemploytheresourcesofcinematographyandusethecameratocreate.(RobertBresson.“NotesontheCinematograph”,NewYorkReviewofBooks,2016)
