影片库

　　一名从乡下搬到奥斯陆展开大学新鲜人生活的挪威女孩席玛，单纯而天真的她，内心有着坚强的信仰与管教严格爸妈的谆谆教aaa。在入学后，与非常美丽的同学安雅有着深厚友谊，但却在一次图书馆癫痫事件后，她开始发现自己拥有令她爸妈向来畏惧已久的超能力。随着学期持续，席玛对安雅的好感也越来越强烈，但突如其来的神秘事件越来越多，席玛开始发现她的超能力与家族的祕密有关，必须被迫去面对她过去悲剧性的秘密，以及那骇人超能力的后果。

bbbFourinsomniacmedschoolstudentsareluredintoaneuroscienceexperimentthatspiralsoutofcontrolandmustfindawayoutbeforeit'stoolate.

eee　　MAYAisamysticalthriller,tellingthestoryofthepresumedrelationshipbetweenIcaroandAdriana,sincethemomenttheymetuntilthedaywhenshedisappearsandceaseexisting.

　　清晨，空荡幽暗的卧室。潜行者（亚历山大·凯伊达诺夫斯基饰）悄然无息地起身准备与另外两人会合前往一片恐怖复杂的地带。可妻子（阿丽萨·弗雷因德利赫饰）却极力哀求他不要冒险进入该地。而这位训练有素、经验丰富的潜行者，即将穿越的是一片有着千变万化陷阱和圈套的地区“”。这块二十年前因陨星坠落而荒芜的恐怖地区，传说有一个名叫“”的囚室，它能满足人们潜意识里最深层的意愿和欲望。潜行者与为寻求灵感的作家（安纳托里·索洛尼岑饰）和为探明真相的科学家（尼古莱·格陵柯饰），踏上了这片变幻莫测的死亡之地eee　　这部极具史诗片气质，探究人类灵魂本质的科幻电影《潜行者》，用诗意而极富隐喻的长镜头，挖掘着人类潜意识与外部世界的重重矛盾与深层意义。1957年，一场发生在苏联车里亚宾斯克附近名叫玛雅卡工厂的核灾难，深深触动了导演安德烈·塔科夫斯基，成为本部电影中的创作素材。影片也改变自小说《》。本片荣获1980年第33届戛纳电影节天主教人道奖。

dddSetinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.　　Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory　　nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.　　Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.　　Ononehanditisaslightly80'sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.　　Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.　　ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou'regettingthere.Seeitifyoucanfindit.