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JusttwoweeksbeforeRoya,abannedIranianjournalist,issettoemigratefromIrantoDenmarkatherhusband’sinsistence,sheencountersaquietyounggirl.Thegirlseemslostanddoesn’trememberanything.Royatakesherin,unawarethatthegirlhasabandonedherpreviouslifeandnowhascometoreplaceRoya.Acoupleofdayslater,RoyafindsoutthatshewillbeprohibitedfromleavingIranunlessshesellsoutacolleaguetothegovernmentauthorities.SoonafterRoyarefusestobetrayherfriend,theyounggirlstealsRoya’sidentityandtakesoverherlifewiththeassistanceofRoya’shusband,Babak.AsRoyafightstorecoverheridentity,sherealises,tohersurprise,thatnooneremembersheranymoreandthateverybodytakesthelostgirltobeher.BabakthrowsRoyaoutofthehouse,atwhichpointtheauthoritiesdecidethatRoyaistobeexiledtoanotherlifeasapassivehousewifenamedHaniehccc
Asta is a journalist in Ålesund who seems plunged in a melancholic state, for a reason we discover bit by bit. Her supportive girlfriend refurbishes design chairs and plays the keyboard, while their kitten wanders around the house. One day, Asta reads a story in a newspaper about an asylum-seeker who is being forcefully evicted from Norway after having lived and worked a decade in the country. Gradually, Asta becomes more involved in learning about the case, and she has to find her position - both in her work and in her personal life.
This beautifully-crafted film, bathed in soft colours, is a meticulous observation of Asta's life after an unnamed trauma, and as external events invite her to reconsider her own relationship to reality. One newspaper article she reads is entitled, "Confronting our social conscience", which is one of the topics of A Human Position. It's also a low-key love story, with its routines and ups-and-downs, which feels very real.
就在这个节骨眼上,麦克结识了名为艾莉(阿德丽安娜·尤加特 Adriana Ugarte 饰)的美丽女子,后者的野心和奔放搅得麦克心中一池春水不住荡漾。在艾莉的带领下,麦克见识到了地下赛车世界的疯狂与激情,而艾莉的男友纳瓦斯(阿尔贝托·阿曼 Alberto Ammann 饰)的出现让麦克渐渐意识到,自己似乎陷入了一个精心设计的圈套之中,在这个圈套里,真正的猎物是茱莉亚和她手中价值连城的珠宝。
InBuenosAires,Exe(25)loseshis jobanddoesn’twanttolookyetforanother.Hisneighbourhoodandfriendsarelookingsostrangeascommontohim.OntheInternethediscoversAlf,aboyfromAfrica,whoalsohasasadjob.Later,Alfalsofollowsanotherguy,Archie,whoescapestothejungle.Intheexoticcontextofthejungle’svegetation,Archiefollowsthepathofsomeantstotheirnest.OneofthemgoesoutandonherpathshefoundsCanh,aPhilipinneguywho’ssittingoverabigdirtmountain,hethengoesdowntohisstrangeandbeautifulcity,andhealsohasasadjobeee
生活在伊朗,荒谬是正常。为儿子改名大卫不获批,因名字太西化;更新驾驶执照被拒,只怪肢体有纹身;汽车遭没收,因为驾车没戴头巾;去应征工人,被要求当场示范拜祭礼仪……两位伊朗80后导演联手执导,以简洁而见巧思的叙事设计,摆定镜头让九名男女大演黑色幽默独脚戏;由小学女生、求职中年汉以至失狗老妪,每天不得不面对政府机关、学校、企业卡夫卡式的荒腔走板。政教威权样样禁制,道德枷锁层层施压,最后土崩瓦解的,可会是整个波斯文化根基ddd
在金融財政的諜對諜世界裡,有很多上流社會人士,各種權力鬥爭都攸關生死。Thomas的事業如日中天。眼看公司最賺錢的交易即將到手,他竟陷入了一座充滿欺騙的迷宮裡。
