影片库

eeeAfterhersister'smurder,Nic,heryoungersisterandtwofriendsseeksolacethroughaPacificislandkayakingadventure.Hoursintothetripthewomenarestalkedbyasharkandmustbandtogether,facetheirfearsandsaveeachother.

《去死吧！啦啦隊》美國導演克里斯席維森重返金馬奇幻影展的新作《愛的怪物論》，邀來《阿達一族》超酷女孩「星期三」克莉絲汀蕾琪領銜主演，當年鬼靈精怪的少女成了飽受風霜的單親媽媽，帶著兒子遠赴邊陲小鎮重新開始，原以為新生活就要展開，沒想到這次不僅要面對自己的心魔，還要挺身抵抗真正的「怪物eee。影片巧妙致敬《迷魂記》與《剃刀邊緣》，更被美國影評譽為對怪物類型電影做出全新的演繹。

　　You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.                                                                    　　Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.                                                                    　　源自：

《#暗夜浮魅2：大象坟场#》是一部独立的实验电影，采用胶片（16毫米和超8毫米）拍aaa。这是一次感官之旅，图像随着思维和感官通过环境声、人声和音乐而相继出现。两部电影之间的联系在于故事、角色以及将一夜的时间分割成小时数的形式。这一概念的主旨是将这两部电影作为一个互文的整体，是同一个故事的两面，一段旅程被一个个时间间隔分隔开，邀请观众走进不同的电影体验。

一对年轻情侣前往西北部山区露营，当他们意识到周围并非只有他们自己时，事情开始急转直eee。