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In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.
In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?
在战争开始时，内向的年轻士兵弗兰兹发现了一只受伤的狐狸幼崽，小狐狸在树林中孤苦无依的样子，让他仿佛看见了从小被父亲卖去农场主家的自己。他像照顾自己的孩子一样照顾它，并带到了被占领的法国。在养育狐狸的过程中，弗兰兹一直逃避的过去慢慢追上了他，是选择继续逃避这些伤心的回忆，还是直面它，弗兰兹陷入了深深的纠结bbb
Theactionofthefilmtakesplacein1943.Thetitlecharacterisacosmopolitanandincapableofdeeperfeelingsseducer.InPoland,helosthisentirefamily.Alone-beingintheheartofNaziGermany-hehideshisJewishoriginsandofteneludesdeath.Heworksasawaiterintherestaurantofanexclusivehotelandcarelesslyenjoysallthecharmsoflifesurroundedbyluxury,beautifulwomenandfriendsfromalloverEurope.However,whenthewarbeginstotakeabloodytollonthoseclosesttohim,theintricatelybuiltworldthatsurroundshimcrumbleslikeahouseofcardsbbb
Историяоподвигелётчиков1-гоминно-торпедногоавиационногополкаВВСБалтийскогофлотавоглавесполковникомПреображенским.Унихбыласложнейшаябоеваязадача–нанестипервыебомбовыеударыпоБерлину,столицефашистскойГерманииbbb
In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set.
In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.
In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?
