2010 爱情片 暴风

秀仁和妻子结婚数年,两人一直十分恩爱。某日,秀仁的妻子被卷入了一宗谋杀案中成为了被害者,而无辜的秀仁则被定罪为凶手,即将面临漫长的牢狱生涯。不仅如此,最让秀仁感到崩溃的是,一直以来贤惠温柔的妻子,竟然在外面有着秘密的情人。  某日,秀仁在监狱中结识了名为尚炳的囚犯,听闻了秀仁的遭遇,尚炳决定帮助这个绝望但是善良的男人。在尚炳的协助下,秀仁越狱成功,他想要查明案件的真相,将真正的凶手绳之于法。然而等待着秀仁的只有失败,心灰意冷的他来到一间位于海边的小餐馆工作,遇见了那里的老板娘美雅,两个孤独的人之间碰擦出了爱情的火花。

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1995 爱情片 不要
莎拉(瑞贝卡·德·莫妮饰)是一名研究犯罪学的心理学家,工作中,她见识过各种各样冷酷残暴的变态凶手,无数个鲜血淋漓诡异可怖的犯罪现场,没有任何罪犯留下的蛛丝马迹能够逃脱她的眼睛,没有任何威胁和危险能够让她屈bbb。  一次偶然中,莎拉邂逅了名为托尼(安东尼奥·班德拉斯饰)的男子。风度翩翩温文尔雅的托尼很快就吸引了莎拉的注意,没过多久,两人便坠入了爱河。然而,也就是从这时候起,莎拉的身边开始接二连三的发生离奇的怪事,一股强烈的恶意正在迅速接近着莎拉,而莎拉的直觉告诉她,这一切,都和托尼有着千丝万缕的关联。
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1997 爱情片 标心

  两个天使进行了一场撮合人间男女的爱情游戏,游戏的主角是席琳(卡梅隆·迪亚茨CameronDiaz饰)和罗伯特(伊万·麦克格雷格EwanMcGregor饰)。席琳生于富贵之家,从小衣食无忧,可她并不快乐,不自由的生活禁锢了她的灵魂。罗伯特只是一介小小清洁工,出生卑微却心怀远大文学梦想。就是这样的两个人,他们相遇了ccc
  生活陷入了绝境的罗伯特想到了绑架及索取赎金,富家千金席琳成为了他的目标,有趣的是,相比自己枯燥的日常,席琳更乐于过作为“人质”的刺激生活,一来二往之中,她和罗伯特之间产生了真挚的情感。女儿被绑架,席琳的父亲找来了杀手,力求铲除罗伯特,正沉浸在刺激生活中的席琳和罗伯特还不知道,危险已经降临在了他们身后。

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1937 爱情片

  A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
  Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
  This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
  One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
  - JohnHowardReid, imdb

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