影片库
影片库为你选出部影片
来到人生地不熟的小镇亚尼克拉的检察官埃姆雷,正值年轻气盛充满了傲气与道德正义感,看起来平静的亚尼克拉背后却暗潮汹涌,不论是连年干旱抽取地下水造成的天坑或镇上猎杀野猪的陋习,都让埃姆雷亟欲解决背后的政治角力。这时当地镇长儿子沙辛邀约宴请埃姆雷至家中吃饭,在酒酣耳热之后埃姆雷喝到不醒人事,没想到隔天就在镇长家中发生了性侵案件,埃姆雷自认清白而展开了公正调查并逮补了嫌犯沙辛……但没想到在他破碎残留的记忆中,有些状况超乎他自己认定的无辜与清白,而可能是帮助他的目击证人却是与镇长敌对的一名报社发行人穆拉,两人的关系暧昧不明,也更让这起案件扑朔迷离…bbb
AbusnamedAnbunarratesthestoriesofits24passengers,givingaglimpseoftheirjourneyfromKodaikanaltoDindigulddd
ThefilmfollowssuccessfulbusinessownerDavid(Ochmann),wholeadsacomfortablelifealongsidehisboyfriend,Álex(Bassave),anattractivegyminstructor.Thelatterhasalwayswantedtobecomeafatherandoftenwonderswhichpathheshouldfollowinordertomakehisdreamcometrue:adoption?Asurrogatemother?Nevertheless,Davidrefusestodiscussthesubject.Thatis,untilBlanca(Perroni),David’ssister,withwhomhebrokeoffallcontactafteradarkeventinthepast,burstsintotheirlives.Sheusedtobeadrugaddictand,inoneterriblemomentofcarelessness,startedafirethatkilledtheirparents,forwhichshewassentencedtosixyearsinprison.Butnow,sheiscleanandhasresolvedtowinbacktheonlyfamilyshehas:that’swhyshewillbewillingtodowhateverittakestopersuadeherbrothertoacceptherintohislifeagainccc
Annaisa35-year-oldsinglemotherandaparamedic.Onemorning,asAnnaisonthewaytodropherdaughterKatiaatschool,Katiaishitbyacar.Whileherdaughterisinacoma,Annaisinformedthatthedriverwas18-year-oldMarina,thedaughterofarichfamily.Marina’smotherisrunningformayorandiswillingtopaywhatevertosweepthesituationundertherug.Thedealbetweenthetwopartsissigned,yetissoonsetoffthetablewhentheyounggirlsuddenlydiesddd
Annaturnshergriefintoasearchforjustice,afightagainstcourts,police,andthehospitalsheworksfor.WhenMarinaisfoundnotguilty,Annarealizesthatit’snotjusttherestoftheworldthathasletherdown,butherownfamilyaswell.Nowherquestforjusticegraduallybecomesaquestforrevenge…
修道院内,一切看来是那么宁静。爱玛快将宣誓晋升为修女之际,疏远已久的哥哥艾力突然到访,要求亡父遗产分一杯羹。妹妹是天使,艾力只是酗酒废青,神憎鬼厌。爱玛的静修被打扰,过去暗黑秘密亦逐一浮现。即使向上帝祷告亦难觅内心平静,只能以痛苦自残惩罚自己;以偷窃及谎言,企图掩饰难以承受的真相。决心侍奉上帝,却离神愈来愈远。丹麦导演卡特琳·勃劳克斯首作,探索圣人与罪人、完美与缺陷的共生关系。在悲剧的沉默里,救赎非来自上帝,而是自己ccc
故事的两位男性主人公各自承受着不公以及心灵的煎熬,一位含冤入狱,另一位长期遭受着身体疾病的困扰。萦绕在他们头上的,是无法驱散的现实的阴影。最终他们不得不以一场决斗来终结过去的那段困扰他们多年的历史。潮起潮落,海水终会将一切过往洗净aaa
盲人阿里正在自杀,楼道管理员敲开了他的家门,告诉他警方正在搜索的逃犯莱拉就躲在大楼里。渐渐地,阿里发现这个女人其实就藏在他的房子里。莱拉因参与了一场工人抗议运动并引起了骚乱被警方带走,四岁的儿子因此失踪,为此莱拉懊悔不已。逐渐地,阿里对莱拉有了感情,帮助莱拉成为他逃避现实的一种方式ddd
Theactionofthefilmtakesplacein1943.Thetitlecharacterisacosmopolitanandincapableofdeeperfeelingsseducer.InPoland,helosthisentirefamily.Alone-beingintheheartofNaziGermany-hehideshisJewishoriginsandofteneludesdeath.Heworksasawaiterintherestaurantofanexclusivehotelandcarelesslyenjoysallthecharmsoflifesurroundedbyluxury,beautifulwomenandfriendsfromalloverEurope.However,whenthewarbeginstotakeabloodytollonthoseclosesttohim,theintricatelybuiltworldthatsurroundshimcrumbleslikeahouseofcardsbbb
入围塔林电影节影评人之选竞赛ccc
Masterfullyorchestrated–withonlyasmallbudget,thesettingbasicallyconsistingofatable,twochairs,twopersonstalking,onemysteriousmanuscriptandsomelittlefoodin-between–thistwo-mendramaremindsmeofRobertBresson’sfamouswordsaboutfilmmaking:“Twotypesoffilms:thosethatemploytheresourcesofthetheatre(actors,direction,etc.)andusethecamerainordertoreproduce,andthosethatemploytheresourcesofcinematographyandusethecameratocreate.(RobertBresson.“NotesontheCinematograph”,NewYorkReviewofBooks,2016)
Amoviethatfollowsayoung,blackattorneywhohasspentyearsofferinglive,onlinesexperformancestopayforlawschooland“endeavourstoconstructdialoguesbetweendifferentidentities,withoutthisleadingtotheannulmentofidentarianpoliciesccc
Whenthefilmbegins,itisallover.“Weknowit’sterminal,andthat’sall”,saysJulianeofhermotherKerstin,whoisingreatpainandabouttodieagedjust64.Althoughtheyoungdoctorsheconsultsacknowledgesonapersonallevelthateveryonehastherighttomanagetheirowndeath,henonethelessremindsherthateuthanasiaisstillillegalinGermany.ThisisevenmorethecaseattheCatholichospicewhereKerstinisstaying.Asrelativescometosaygoodbyetohermotherandtheemotionsofmemoriesminglewiththeanticipationofgrief,Julianefindsherselfhavingtodobattlewithtime–unbending,apatheticandmonochrome–andthisissuperblyreflectedintheconvulsionsofthehandheldcamerainwideshotsccc
Basedonpersonalexperience,JessicaKrummacher’ssecondfeaturefilmvividlyrelatesthepainfulstoryoflosingaparent.Thereisnoviolenceormorbidity,ratherthedirectordescribesthemostimportantofeventsviathesmallest,mostfragileofdetails–theexchangingofwords,textsandtendergesturesthatremainwithusandgetunderourskin.
