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InanintenselypersonalandoftensurprisingfilmforBBCTwo,DepressionAndMe,AlastairCampbellexploresifradicalnewtreatmentscanstophisdepressionddd
CampbellisbestknownforhisroleasTonyBlair’sformidableandoftencontentiousspindoctorbut,awayfromthepubliceye,hehasbeendoggedbycripplingboutsofdepressionformostofhislife.Somedays,justgettingoutofbedistoohard.Therapyandanti-depressantmedicationishelpinghimkeephisheadabovewater-butisthatreallythebesthecanhopefor?
AlastairCampbellsays:“I’vebeenonantidepressantsforyearsandyearsandnoneofthemcanstopit.Iwanttounderstandmydepressionandfindoutifmodernsciencehasanybetterwaysoftreatingit.I’mhopingthere’ssomethingouttherethatcanhelpmeleadahappierlife.
“IfeelwearenearingatippingpointinthebattletodemolishthestigmaandtaboosurroundingmentalillnessandTVisaverygoodmediumforbringingtheseissuesrightoutintotheopen.Ihaveneverregrettedbeingopenaboutmyownissuesbutanimportantpartofthisfilmisalsoseeingmydepressionthroughtheeyesofmembersofmyfamily,especiallymypartnerFiona.Iwasalsokeentogetoutthereandfindoutwhatkindofprogresswasbeingmadeonthescientificandresearchfront.Thereisalotgoingon.Myworryisthatwearewinningthebattleforbetterawarenessbutlosingthebattlefortheservicesweneed.
"IwasverypleasedwiththereactiontothefilminSheffield[atDoc/Fest].Onefilmalonecannotchangetheworldbutthereisfinallythefocusontheseissuesthatweneedandhopefullyonedaywewillhaveservicestomatch.”
Itstartedwithonewoman’sactofdefiance–removingherheadscarf–hijab–ononeofthebusieststreetsinTehran,capitaloftheIslamicRepublicofIran.Itwasanimagethatcapturedtheattentionoftheworld.Whowasthiswoman?Andwasshealoneinherdefianceofthemullahs?Inthisfilm,theaward-winningITVExposurestrandgoesundercoverintoIrantomeetupwiththewomenchallengingthereligiousautocratswhohaveruledthecountryforfortyyears.Thehijabisthesymboloftheirauthority–andwomenwhoprotestagainstwearingitriskimprisonmentandtorture.InayearinwhichIranianshavetakentothestreetsinunprecedentedprotestsatcorruption,pooreconomicconditionsandstaterepression,womenhavebeenattheforefront.Thefilmfollowsthestoriesoffourwomen–Shima,Shaparak,MaryamandMasih.Allhavepaidahighpricefortheirdefiance,butallremainunbowed.Filmingundercover,weheartheirhopesandfears,andtheirdeterminationtofightforamodern,tolerantIran,freefromreligiousimpositioneee
如果一个舞蹈没有被跳出来,它就会消失。电影跟随一群纽约市的顶级现代舞者,记录了他们重建传奇的Merce Cunningham非常标志性和神秘性的作品,揭示了当今舞蹈界面临的最紧迫问题之一:我们如何防止杰作随着时间流失而消失?
