2016 爱情片 不要

演员金荷娜确定出演郑雨盛担当制作人并亲自主演的电影《不要忘记我》!时隔三年回归大银幕,将出演新片《不要忘记我》。电影是讲述因事故失去记忆的男人陷入新的爱情后,一点一点记起过去十年的记忆而经历的两个男女的故事!该影片是由2011年“Mise-en-scene短篇电影节”中介绍的短篇电影改编,是一部讲述一个失去记忆的男人的不安与孤独的黑色题材电影。郑宇成饰演丧失记忆并陷入爱情的律师一角。金荷娜与他一见钟情,,但因过去的经历的混乱,.经历种种。。

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2022 爱情片 宝刀
克里斯·派恩、米歇尔·威廉姆斯有望加盟间谍题材新片宝刀未老(,暂译),万物理论导演詹姆斯·马什或将执导本bbb。故事讲述一对曾经的恋人兼工作伙伴再度见面,二人回忆起一次严重的劫机事件,他们中的一位似乎与此事有着莫大关联,这对亡命鸳鸯该何去何从?
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2017 爱情片 北纬
  成都美女作家肖婷,驾车到山区藏乡采bbb。因车辆故障偶遇藏族护林员洛波,并在他家中借宿。在采风过程中,两人之间产生了美好的情愫。一次她随洛波出发护林,遇到偷猎歹徒前来复仇,洛波为保护肖婷,被歹徒踹入湍急的河流。肖婷以为洛波已死,伤心地回到了成都。一直暗恋肖婷的她大学同学张晓军,陪她度过了痛苦的时期。一年后他们准备结婚,而这时洛波出现了,原来洛波并没有死,肖婷陷入了痛苦的矛盾之中。在肖婷和张晓军结婚的日子,为了不让肖婷留有遗憾,张晓军把一条红丝巾交给了她,这是洛波决定离开成都时,让他转交的特殊非凡的红丝巾。在她对红丝巾的反应中,张晓军明白了她对洛波仍有刻骨铭心的的情感,于是决定主动退出。洛波和肖婷这对有情人终成眷属,完成一段缠绵悱恻凄美旷世的爱情故事。
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2009 爱情片 白夜
<>太阳到达最高点的时候,它的影子便消失了。刑警韩东秀(韩石圭饰)为了证实自己对一起已有定论的杀人案的猜想,致使自己的儿子意外身亡,从此变得意志消沉起来。14年后,一桩杀人案似乎和当年这起案件有着某种联系,当韩东秀再一次开始关注起当年一名被害人的儿子有汉(高修饰)时,意外认识正在帮助财团老板调查未婚妻柳美皓(孙艺珍饰)的私家侦探,从私家侦探那里得知这名叫柳皓美的女人正是当年被认为是畏罪自杀的凶手的女儿李佳。当年这两个韩东秀曾经有怀疑过的小孩子如今长大成人,而且又同样因为凶杀案出现在他的周围。在韩东秀的追查过程中,他发现了当年凶杀案以及近期凶杀案的真相,而真相背后,却是一对永远不能在光天化日之下见面的苦恋情侣。   影片改编自日本著名推理小说家东野圭吾的同名小说《白夜行》。小说曾在日本被拍成电视剧,并大获成功bbb
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1937 爱情片

  A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
  Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
  This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
  One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
  - JohnHowardReid, imdb

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