影片库
影片库为你选出部影片
故事发生在美国洛杉矶，麦库西克（梅尔·吉布森 Mel Gibson 饰）是一名毒品走私贩，然而他已经厌倦了这样在刀尖上舔血的日子，他答应自己的好友伦纳德（阿尔耶·格罗斯 Arye Gross 饰）再干最后一票大的，然后就此金盆洗手。
弗雷西亚（库尔特·拉塞尔 Kurt Russell 饰）表面看似麦库西克的朋友，实际身份是便衣缉毒警察，一直以来他都在暗中调查着麦库西克，希望能够找到他犯罪的证据。在此过程中，两人同时爱上了美丽性感的餐馆老板娘瓦伦纳（米歇尔·菲佛 Michelle Pfeiffer 饰）。这票大买卖的消息很快就走漏了风声，臭名昭著的墨西哥卡洛斯（劳尔·朱力亚 Raul Julia 饰）也闻讯而来，想要从此分一杯羹。
Arejectedhusband.Abeautifulstrangerinperil.Adangerousliaison.TwocouplesareenjoyingaspectacularEgyptianadventure,butdeceptioncruisestheNilealongwiththemddd
约翰（本·卓别林BenChaplin饰）是小镇上的银行职员，多年来孤独而又单调的生活让他的感情世界空虚异常，在寂寞的驱使下，他竟然鬼使神差地在一个名为“爱在俄罗斯”的交友网站上订购了一位俄罗斯女郎纳迪亚（妮可·基德曼NicoleKidman饰）eee
在网站资料介绍中，纳迪亚个性开朗温柔贤惠，更妙的是，她还会说一口流利的英语，和约翰之间的交流基本上没有障碍。然而，当约翰满心欢喜地到机场去接远道而来的纳迪亚之时，他才发现，她所谓的流利英语，只有一个单词，那就是“yes”。随着时间的推移，约翰渐渐发现了纳迪亚的美妙之处，她所绽放出来的激情和魅力足以抵消其他的所有不足。纳迪亚的生日很快就要来临，约翰准备替她准备一场隆重的庆祝，此刻的他还不知道，那日，两个不速之客的到来将彻底改变他的命运。
两个天使进行了一场撮合人间男女的爱情游戏，游戏的主角是席琳（卡梅隆·迪亚茨CameronDiaz饰）和罗伯特（伊万·麦克格雷格EwanMcGregor饰）。席琳生于富贵之家，从小衣食无忧，可她并不快乐，不自由的生活禁锢了她的灵魂。罗伯特只是一介小小清洁工，出生卑微却心怀远大文学梦想。就是这样的两个人，他们相遇了ccc
生活陷入了绝境的罗伯特想到了绑架及索取赎金，富家千金席琳成为了他的目标，有趣的是，相比自己枯燥的日常，席琳更乐于过作为“人质”的刺激生活，一来二往之中，她和罗伯特之间产生了真挚的情感。女儿被绑架，席琳的父亲找来了杀手，力求铲除罗伯特，正沉浸在刺激生活中的席琳和罗伯特还不知道，危险已经降临在了他们身后。
A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
- JohnHowardReid, imdb
